ONE MAN. ONE YEAR. ONE SUBCONTINENT.


Jan 31, 2010

Lab Report

Introduction

Research has established that Indians are capable of squeezing hundreds of individuals into a train carriage or bus, and that other forms of transportation are often similarly overloaded (G. Buddha, 2009). Unfortunately for the state of science, to date little research has been directed to quantifying the number of persons Indians may fit in a jeep. The most popular jeep-like vehicle in India is the Tata Sumo, a 4-door off-road vehicle.

Research Question

How many Indians can fit in one Tata Sumo?

Note that here it is necessary to define the phrase "fit in". By some Indian definitions this would encompass individuals hanging on top of or from the sides of the exterior of the vehicle. Colloquially, however, this definition is rarely applied to jeeps as in the field jeep operators are less apt to permit this means of transport as are bus, train, and rickshaw operators. The distinction also arises of whether or not the doors are open, as jeep overcrowding has been shown to sometime prevent the proper closure of the side doors and rear hatch (henceforth "the doors"). In this experiment we shall use the definition suggested in the unpublished paper "Vehicle Door Closing In The Indian Field Environment" (G. Buddha, 2010), which is as follows: a vehicle door shall be considered closed if it is functionally closed at the 95th percentile of maximum theoretical closure; that is to say, if the door is ajar no more than 5% of its total swinging arc.

The question we wish to answer therefore is "How many Indians may be transported by a statistically significant distance while confined within a single Tata Sumo with its doors ajar no more than 5% of their opening arc?"

Hypothesis

Allowing for the extraordinary cramming abilities of Indian transport sysems, and the apparent designed capacity of 8 passengers, we hypthesize that no more than 17 Indians can fit within a single Tata Sumo.

Materials
20 Indian rupees
1 Tata Sumo

Method

We shall purchase passage aboard a Tata Sumo. While aboard the Tata Sumo, we shall periodically count the total number of passengers therein.

Data

Table 1.1: Number of Passengers Within Tata Sumo
Column A = Observation #.
Column B = Number of passengers.

Col. A...............Col. B

1....................12
2,,,,,,,,,,,,,,,,,,,,15
3....................17
4,,,,,,,,,,,,,,,,,,,,21
5....................23
6,,,,,,,,,,,,,,,,,,,,25
7....................26
8,,,,,,,,,,,,,,,,,,,,24
9....................25
10,,,,,,,,,,,,,,,,,,,26
11...................20
12,,,,,,,,,,,,,,,,,,,18
13...................15
14,,,,,,,,,,,,,,,,,,,,7
15....................0

Analysis

The total number of passengers almost immediately exceeded our estimate. For the duration of the journey after departure and before entering the limits of the destination city, the data shows there was at any time in excess of 20 people in the jeep. The figure peaked, on two occasions, at 26 people.

Conclusions

We are forced to accept that our hypothesis was greatly in error, and that Indians may cram at least 26 people in a jeep.

The design of our experiment has, however, revealed a number of flaws. Though we have now critically revised our knowledge of the capacity of Indian jeeps, we have failed in any way to satisfactorily establish the true maximum level of Jeep cramming. Due to the frailty of the human observer, no attempt was made to experimentally add more Indians to the jeep.

We are also forced to acknowledge that the observer was not himself an Indian, and thus may have introduced a confounding variable. We speculate that as the ratio of Indians to total passengers approaches 1, the total capacity of the jeep approaches infinity. More research is clearly needed.

Though we have failed to arrive at a complete understanding of Indian jeep dynamics, we have demonstrated the potential scope and urgency of further experiments. The field of Indovolumetrics is as yet a young science, but no doubt holds great value in mankind's everlasting pursuit of knowledge.

This article will appear in no peer-reviewed journals, because Ghostface Buddha has no peers

Jan 30, 2010

Money, Caves, Hoes

I have been trying to acquaint myself more fully with the Hindu faith about which I am constantly writing. I recently started reading the great epic poems that Hindus read as scripture. I just started the Ramayana, and near the beginning is an episode in which the woman Sumati, blessed by a sage, "gives birth to a fissiparous mass that became 60,000 babies." Even since ancient times it seems not a single goddamn thing in this country was ever meant to make any sense.

India makes even less sense through the sticky haze of waking up at 5am to catch a bus out to some caves. Imagine my confusion upon reading the following in the newspaper: recently a professional kabbadi player died in a hospital in Maharashtra. What is kabbadi, you ask? Kabbadi is a sport much like the game of tag, except the person who's "it" has to catch the other players within a single breath, and he proves that it is a single breath by shouting kabbadikabbadikabbadikabbadi as he runs. Take a moment for it to sink in that this is a professional sport. Now prepare to jettison any understanding of India you may have gleaned from this excercise when I tell you that after this kabbadi player died, 300 people rioted in the hospital and set it on fire. This country never ceases to bewilder.

Some three hours trapped in a hot bus did little to enhance my mental acuity, and as soon as I entered the epic, unmistakable gorge housing the Ajanta caves, I promptly walked in exactly in the wrong direction and found myself staring at the site's electrical substation. "Hmmmm," I thought,"funny there isn't a proper trail around it." I had to poke about the edge of the bushes a bit before being convinced I had taken a wrong turn, and the realization was sealed when I saw about 250 children on a class trip marauding in the opposite direction. Oh goody, goody, goody.

The Ajanta caves are a series of man-made caves carved directly into the side of a cliff at a dramatic U-shaped gorge just below a waterfall. For centuries, this remote spot contained the subterranean refuge of many groups of Buddhist monks. Though there had been hermits and monks nosing about here earlier, Ajanta truly became magnificent in the early centuries of the first millenium, when Indian Buddhists decided to embrace the idea of art, and produced a breath-taking collection of wall-paintings and sculpture within the caves. Indian sources typically extol the excellence of the paintings in particular as "the zenith of Indian art", while some Western sources I have read call it "the finest collection of ancient art from any civilization."

The paintings are remarkably well-preserved, primarily because they were forgotten. Shortly after Ajanta reached its peak, Hinduism was bouncing back with a vengeance and the caves were abandoned by the monks and left to be overgrown by the riverside forests. Then, in the 19th century, a group of British company officials out tiger-hunting stumbled onto the top of the gorge and saw the massive entranceway to one of the larger caves, went in looking for bears or whatever, and found themselves staring at murals that had been sitting there in the darkness for over a thousand years.

Now of course the place is far from undiscovered, and features quite prominently on the schoolbus circuit. Fortunately, realizing the futility of getting middle-schoolers to refine their tastes while out on an excursion, their teachers are quite content to shepherd them all into the most famous 'checklist' spots first, make a cursory walk of the site from one end to the other, and leave. It was as they were leaving that the dreaded horde of intellectually understimulated youth inevitably descended upon me. They were mostly engaged in roughhousing, and particularly in picking on this one kid whose skin tone was several shades darker than the rest of the class. He was shoved around and bumped into me. He began to apologize when he was yanked away and some gap-toothed doofus with his spittle practically hanging from his lip saw me and yelled (because I was all of two feet away) "This boy is Akon!" What?

"This boy is Akon!" he repeated, dampening the front of my shirt in his excitement. "He is from West Indies!" I took another look at the kid, and he most certainly was not from the West Indies. If I had to venture a guess, I would say he was from...India. Then, finally it became clear. "HE IS BLACK!!!", Saliva Boy shouted, and his classmates burst out in laughter. Great. Here we are, some 3500 years after the invading Aryans basically invented the caste system to keep Darkies in their place and still the fact that this kid has Dravidian genes in him and darker skin makes him a punching bag. Sometimes, no matter where you go in the world, you still catch glimpses of a terrible society founded on the worst aspects of our nature, tenaciously clinging to seemingly hopeless human behavior under the surface of supposedly modern civilizations. India has long been behind the curve on treating people well. Ancient Brahmanical Hinduism has a distinct taste of "our habits are henceforth holy law!" It's no wonder that contrarian religious sects have been springing up here for thousands of years, and that India is the cradle of at least three major egalitarian religions.

On the other hand, the encounter confirmed one of my pet theories: Indian people literally know nothing about Black people except for the West Indies cricket team, Akon... and in a distant third, Barack Obama. Seeing that my efforts to end the picking-on were to be in vain, I unsettled the offending children a bit by insisting that in the West only girls listen to Akon. "You're listening to girl music" is a pretty effective weapon against boys of a certain age, whereas the older ones were surprisingly easy to shame by pointing out that the Akon-Snoop Dogg collaboration "I Want To Love You" concerns fucking a stripper, and then explaining what a stripper is.

This episode aside, Ajanta was an amazing place. Every one of the twenty-something caves revealed new treasures, whether a mural of processions of elephants or a complete prayer hall with an enormous symbolic stupa in the apse. The paintings at Ajanta get all the glory, but the sculptures were quite fabulous too, especially in the last cave which has an astonishing giant sculpture of Buddha lying down to sleep before dying and ascending to ultimate enlightenment. I had suspected in the morning that spending all day looking at paintings might be a touch dainty even for Ghostface Buddha's eminently refined tastes, but the incredible quality of the works and their breathtaking setting above the gorge made it a most invigorating adventure. I returned on the long bus back to Aurangabad, and took my leisure.

It is not within the scope of this blog, thanks to my fifth amendment rights, to explain how exactly this happened, but I found myself later that night walking into a white-tablecloth hotel restaurant with no shoes or belt on and my top three shirt buttons undone, and then spent five minutes trying to debone bits of chicken with my spoon. It's a marvel I actually get anything done.

The next day I once again woke up in the dim light of an unreasonably early morning and....I'm sorry but I just got distracted by two insects trying to start a family on my monitor. Anyways, I went to Ellora, and let me tell you: there are cave temples and then there are cave temples. Ellora has some motherfucking cave temples. The caves are all along a lengthy ridge, and actually belong to three different religions, with Buddhist caves at one end, Hindus in the middle, and Jains off in the distance. They all held the place sacred, and over the course of a couple hundred years had something of a monastic slapfight trying to outdo eachother with the magnificence of their excavations.

I can imagine the scene now: a Hindu monk and a Buddhist monk meet while drawing water from the stream.
"So, how's that monastery going?" the Hindu inquires.

"Oh, quite well," the Buddhist responds, "it helps to be guided by the true faith."

"True faith my ass! Our gods were forming the world before your Buddha's tenth-previous incarnation was even in diapers! And besides, have you seen our Kailash temple? Looks to me like faith is leading us to the greatest heights!"

The Buddhist sneers. "Well, while some people are busy chiseling away at rocks, some of us are a bit occupied achieving ultimate enlightenment."

"Ultimate enlightenment?!?! You shall be reborn as a dog, you...dog! The wrath of Durga be upon you!" the Hindu sputters, spilling his handful of coconut slivers as his dripping sweat smudges the holy paste on his forehead into a formless splotch of vegetable matter.

"Please desist; you harm only yourself. Anger clouds true vision" the Buddhist recites, with a slight, smug curling of the lips.

"We shall see who is harmed when I call upon the flaming bow of Shiva! you little caste-less cu..."

At that moment the argument is silenced by the arrival of a Jain monk at the stream. "Still rehashing the same old trifles, I see" he says while plucking a hair from his scalp.

The Buddhist and Hindu both turn, their quarrel for a time forgotten. "Dude, put on some fucking clothes."
All three of the religions performed amazing feats at Ellora, and if you weer forced to give out medals the gold would have to go to the Hindus, but that's really not the point. The twelve Buddhist caves range from the austere cells of iconoclastic Hinayana Buddhists to massive, multi-storey Mahayana monasteries, self-contained with cells, shrines, meeting halls, and everything else a flourishing religious community in a giant man-made cave would need. There is even one cave carved in the form of an echoing Buddhist cathedral.

One thing you quickly notice at Ellora is that, apparently, renouncing the world does not compel you to renounce sculptures with big ol' titties, a feature that is seemingly second in importance in the Buddhist caves only to the figures of Buddha and the Boddhisvatas themselves, aglow as they nearly monopolize the light shining through the openings of the caves.

After the twelve Buddhist caves you get to the Hindu caves. Here, predictably, is where shit gets weird. The collossal sculptures that typically adorn these caves feature a full array of Hindu themes, from demons abducting buxom maidens, to many-armed gods rescunig buxom maidens, to the heroes of the epics resting in glorious victory while accompanied by an assortment of buxom maidens. By the time I reached the 29th cave and saw naked, pointy-nippled breasts at three times life-size, I began to suspect that consciousness was not the only thing the monks were habitually raising.

The Jain caves were pretty much as you'd expect Jain caves to be: smaller, more obsessively decorated versions of Hindu caves. It should be noted that based on the profusion of divine penises and nutsacks in evidence, these caves probably belonged to Degembara Jain monks, which is likely why they were shunted off to the far end of the ridge.

Though many of the caves could easily be attractions in their own right, together they are an overwhelming collection of sculpture. Even among such formidable competition one cave clearly stands alone against all contenders: the Kailash temple.

The Kailash temple is not, strictly speaking, a cave, as it is open-ceilinged and you can look straight up to the sky above. So, what is it? A hole? No. It is a full-size Hindu temple -a larger than average Hindu temple, in fact- sitting in a courtyard completely surrounded by what look like cliffs. The whole affair, temple, courtyard, and all was carved out of monolithic rock in the hillside. I'm trying to find how to make this clear...it is a large temple, carved entirely from a single chunk of rock, sitting in a large open space completely surrounded by the sheer sides of that same rock from which the temple and courtyard were themselves carved. Even the presence of the sky here is of man's creation. Though the sun shines down on you around the temple, you are walking through one vast, two-hundred year excavation. How many times am I going to end up saying this...India makes your jaw drop.

After 34 caves, (and about 26 the day before), a certain cave-fatigue begins to set in, especially when you are taking thorough notes on each and every one for your employers. You begin to feel a little dehydrated, the pungency of bat poop seems to increase fourfold, and one begins to regard sunlight as a temporary convenience to be held onto tightly while it lasts. So now I return to the bright surface-world of the Deccan, blinking like a mole, and set my regained sight on continuing my adventure. See ya next time.

Jan 29, 2010

Inspectah Deccan

The central, inland portion of southern India is a large, hot plateau known as the Deccan. Being located right in the middle of everything, it has an incredibly convoluted history of different parts of it falling into the hands of just about every local dynasty and foreign invader imaginable. It's like Central Europe, but worse. Since most Western people can't tell a Hohenzollern from a Hohenstaufen, I will spare you all detailed accounts of the Chalukyahs, the Adil Shahs, the Vatakas, and so on. The point is, if you're anybody that matters in India, you have to get involved in wars in the Deccan, and no matter what happens it will end up being a bigger pain in the ass for you and your kingdom than you anticipate. Much in the same way, Ghostface's invasion of the Deccan got off to an inauspicious start of being left stranded by the roadside by a heap of rubbish somewhere in Mumbai the night before a government holiday on which the railway union was expected to strike. And much like the kings of old, GFB has no time for ill omens and marches onward to war.

I made my camp in the old town of Aurangabad, the sleeping dog of a city that once ruled over nearly all of India. It takes its name from Aurangzeb, the last of the Mughal Emperors to rule a mighty kingdom. You could hardly tell now that Aurangabad has ever had any kind of glory. The most impressive monuments in the city limits are a handful of fake grottoes as one might find at a cheap casino and a sloppily-painted mosque that has neither domes nor minarets. Yet, in its day it was the capital of the Mughal Empire at the height of its territorial conquests, the court moved here from Delhi so that the unfailingly warlike Aurangzeb could better conduct the incessant, draining wars that marked his tenure as lord of the Deccan.

Aurangzeb, even on the scale of Indian despots, was both excessively belligerent and a general asshole. Aside from overthrowing his own father (Shah Jahan, builder of the Taj Mahal) and having most of his vanquished brothers quietly disposed of, he made a number of incredibly stupid moves. For starters, he was a hardcore religious fanatic and decided that if people insisted on continuing to be pagan Hindu swine, they could at least pay a hefty tax for the privilege. He also ordered the decapitation of the Sikh guru of the time, with the result that the Sikhs immediately became extremely militant and predictably anti-Mughal. Then, he also had the brilliant notion that since he had the largest armies in India, he could fight pretty much everyone at the same time. Though he stretched the Empire to greater breadth than ever before, he used up all his resources and pissed off just about everyone, so that when he died the Empire immediately fell into shambles and was left a pathetic shadow of its former self. He was also a rabid iconoclast, and had seemingly half the temples in India desecrated, which did a lot to make sure pretty much every non-Muslim in the country despised him. In short, Aurangzeb was a brutal, artless man, and in Aurangabad it shows that he left nearly nothing of value behind for posterity.

Not long after his death (but before everything completely went to shit), his wife died and his son decided that the Emperor's wife ought to have a tomb befitting of her dynasty. Remember, of course, that the previous Emperor's wife got the Taj Mahal. The decision was then made to construct an imitation of the Taj Mahal outside Aurangabad. The result, called the Bibi-ka-Maqbara, looks like what you would expect if you found the first gut-scratching, pit-stained contractor knocking back cheese fries at the local Hooters and asked him to build the Taj Mahal using two postcards and a diagram on a greasy chilli-dog wrapper as blueprints. It's not that it's a terrible building. As just any Mughal tomb it would be quite impressive, but it is so obviously a copy of the Taj Mahal, and so obviously inferior that you can't help but laugh a bit. Yes, it is marble (partially), and vaguely the right shape, but it has an unmistakable appearance of cheapness to it. Where the Taj has inlaid stones the Bibi-ka-Maqbara has plaster. The minarets are painted in imitation of stone, and the domes on the roof are all kind of smooshed together. In fact, the whole building looks kind of narrow and squashed, like a Taj Mahal clenched betwen Allah's own butt cheeks.

Believe it or not, there are not one but two failed Muslim capitals of India around here. Just down the road is the crumbling old fortress-city of Dalautabad, the site of on the most idiotic, farcical political decisions in history. During the 15th century, Muhammad bin Tughluq was the Sultan of Delhi and ruled most of India. Sound familiar? Even for an Indian despot, he was warlike, brutal, and a general asshole. In due course he got himself embroiled in various wars in the Deccan, and found it expedient to move his capital southwards to the mighty fort at what became Daulatabad. What he didn't do was first check if the location was suitable for a city, but we'll return to that oversight soon enough. The Sultan, intent on moving his court, was not satisfied with merely relocating his administration. Instead he ordered the entire population of the city of Delhi to pack up their things and join him on the thousand-kilometer march south with hardly any preparations.

Thousands of people died on the march, and many more were reduced to poverty when they quickly tired of hauling their possessions along with them. They couldn't stop or turn back, because Muhammad bin Tughluq was not a man to tolerate dissent quietly. By the time they finally crawled into the site of the new city, most despaired of ever seeing their homes again. But they did, because Daulatabad turned out to have almost no water supply, and just when they finished building the doomed city after two years, the Sultan ordered them to box up all their shit and walk back to Delhi. This part of the Deccan just seems to bring out the worst in royal mass-murderers.

All this to build a city around a spectacular fort the Sultan was convinced would be the key to his complete mastery over India. I had to see it.

You pull up to the outskirts of the ruins and you notice the standard crumbling fortifications, though in this case they look particularly sturdy and well laid-out for deadly crossfires. I was willing to agree with various Europeans of the day who said it was among the strongest in India, though I failed to see what was so special. Then, noticing what an 80-year-old librarian could spot with her glasses off, I saw that the walls of the fort formed a wide ring around what was clearly an extinct volcano in the middle of the city. Oh. Passing through various temples and military facilities inside the walls, I passed through a second set of equally formidable walls. This fort was not fucking around. And just inside this wall lies what is surely the most ridiculous, paranoid, and perverse citadel on this green Earth. Behind the wall is a deep moat, its waters now about 50 feet below the edge of the precipice on which I stood. On the other side of the moat was not another wall, but some 200 feet of sheer-vertical, solid stone cliff face of a fucking volcano. Now you can cross on a narrow iron bridge, but back in the day the only way across the moat was down a staircase to a very low, narrow bridge to stairs going back up the other side. As if this weren't dangerous enough, the moat was so engineered that a system of dams could be opened and closed to raise the water in the moat and leave the only bridge some 15 feet underwater. Now, you can't just swim across when people are shooting at you, particularly not when on the other side is not a bank to crawl up, but THE SHEER STONE SIDE OF A FUCKING VOLCANO. Oh, and by the way, in their off time the garrison was apparently fond of breeding a battalion of man-eating crocodiles to fill the moat with.

Now, assuming you crossed the crocodile-filled moat to the narrow opening in the walls of the volcano on the other side and somehow got a foothold at the base of the citadel, you would still have to climb to the top of the volcano in order to secure the stronghold. There is of course, only one, easily defensible, way to get up the volcano. Perhaps a steep, narrow staircase carved into the side of the cliff? No. That wouldn't be twisted enough, for I have concluded that Daulatabad's cartoonishly wicked defenses are the work of men as concerned with entertaining the sadistic pleasures of their own ingenuity as they were with military necessity. To get to the top you have to go into the side of the mountain, through a winding, pitch-black tunnel and up a number of stairs. I probably shouldn't even bother mentioning at this point that the only (deliberately inadequate) sources of light were the long shafts which the defenders would drop rocks and hot oil through; their schemes were far more devious than those obvious measures. Of all the defensive contrivances, in my view the most wicked, a device of sheer spite meant only to enliven the laughter of the victorious defenders (as they drink wine the next night out of their victims' skulls, no doubt) was after rounding a corner in the utter blackness they placed a single, unnecessary step. Just one. One step for an army running terrified through the darkness to suddenly turn the corner and all fall right on their faces with a clang of weapons and armor. Shit is fucked.

Some ways beyond this dastardly step are a series of proper staircases, which of course are of completely uneven height and depth so even to this day it is a little prickly to climb in the dark even without being in the middle of the war. Now suppose you have run up these stairs and you finally see the light of day shining through a doorway. You rush towards it, letting loose the cry of battle, and you suddenly find yourself falling because the blinding 'doorway' is in fact an opening in the side of the cliff and you've just run into the open air, which you are now traversing at an acceleration of 9.8 m/s^2 in the direction of a very deep moat and some very angry crocodiles about 100 feet below. Behind you, your best friend has no time to mourn your loss because he, ahead of his time, has discovered what the phrase "Indiana Jones boulder trap" means.

Finally, should the defenders be forced to abandon the passageway for whatever reasons -tying their shoelaces springs to mind- they could light a giant brazier at the mouth of the tunnel and almost instantly use the principle of suction to fill the passage with an impenetrable wall of heat rushing through the darkness. They could also spread toxic gases into the tunnel this way, but this was probably overkill, and they would have to pick up poisoned vultures along with the rest of the corpses the next day, so the other defenses would have to do.

I did not breach Dalautabad at the head of an army. Rather, I was trailing one; an army of 5th-to-9th graders on class trips. It was just Republic Day, and the remainder of the week thereafter is traditionally a time when Indian schools go on their (attendance mandatory) excursions to witness History and Culture firsthand. As you well know, schoolchildren hate history, and the only thing they like about class trips is going outside and making a complete shitshow on the bus. Oh, how I pine for the days of wandering in loud, obnoxious cliques of boys through some area of tremendous cultural importance, making life as irritating as possible for the girls we secretly wanted to perform poorly-understood sex acts with. Indian children do not behave quite in this manner. First of all, this is India, so replaces the word cliques with swarms. Now, increase the student-to-chaperon ratio by a factor of about 5, and completely subtract any interaction between the sexes. This operation should leave you with several hundred merrily chatting girls trotting about in cliques, harmlessly engaged more in gossip than in Culture. Then you have the boys. The equally large host of boys channel their budding -more like erupting- levels of testosterone almost exclusively through testing the strength of their vocal cords in echoing chambers and by forming fast-moving uniformed wolfpacks that descend upon all persons of interest (i.e. foreign tourists) and ritually word-vomiting all of their English and quite a bit of their Marathi for each other to ravenously poke at, bursting into crazed, drooling laughter after devouring a particularly choice morsel of their classmates' steaming-fresh verbal puke.

It was in this setting that I was taking my notes on Daulatabad's defenses, and soon discovered just how easily such devious mechanisms come to mind when directed against a close-at-hand object of derision easily substituted for the enemy. Oh, you like shrieking, kid? Let's see how much you like it when a bowl of hot magma falls down your throat! Yeah, yeah, it's really quite fucking hilarious when you all start shaking your butts in my photographs. Let's see how funny it is when you wiggle your asses over to that harmless piece of flooring...I mean THE TRAPDOOR TO MY RHINO PIT. I looked inside myself and knew that within every man lies Evil, waiting only for prodding of Nuisance to come out.

I ascended the hill, which after the tunnel would have been a simple matter of walking up a winding path up a very steep hill while people shoot at you, but by that point if you got through you'd probably have the defenders fleeing from you in final desperation, or just because you're on fire. The views from the top were stunning, looking out into a huge sky over a seemingly endless expanse of the hot, brown hills of the Deccan. And then I went back down, carefully avoiding the various deathtraps and swatting in the general direction of fluttering bats.

Over the next two days I engaged in a brutal campaign of conquest taking me to the cave refuges of Ajanta and Ellora, but I will tell of that another day. I shall do with the chronology of this narrative what I wish. Indeed, even the great Hindu bards who sung the timeless epics skipped from scene to scene, imparting a tale of great wisdom, where the sequence of words depends more upon their true meaning in the context of this vast tale we call life than upon in what order the original events transpired. What I'm saying is that this post is getting long and Ajanta and Ellora are both about caves.

Shortly after departing Ellora (that place, dear reader, of which we shall hear soon enough), I arrived in the little town of Khuldabad. It's a rather forgettable little Muslim village with a sprinkling of ruins and a small, unimposing shrine to a long-dead Sufi. What I came to see, however, was just outside the tomb. In a small, half-walled enclosure lies a low and simple grave, no more than a foot high and topped only with soil and a handful of blossoming flowers. It is the grave of Aurangzeb, who in his piety demanded only the simplest of burials, paid for by funds he raised selling little white hats he knitted. The megalomaniac, in his zeal, stumbled upon a fragment of humility and it now marks his last, for all of history. I looked at the little grave, in this near-random little town way down in the Deccan, where Aurangzeb desired to be buried by the side of his teacher, and almost felt a little sorry for him. The British viceroy (of course the British) had built a modest marble lattice around the tomb, but otherwise it was a most mystifying lack of distinction or extravagance from a man whose terrible ways tore apart half a continent and brought his own kingdom to ruin.

Thoughts to live by? Perhaps. I'm still thinking of how to build a subterranean catapult for coating a spiked ceiling with middle-schoolers, and whether or not I need a gutter if the bodies get...leaky.